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Emanuel Gregers (28 December 1881–22 March 1957) was a Danish actor, screenwriter and film director. Gregers made 36 films during a career which extended during four decades from the Danish golden age of silent film until 1949. Critics often dismissed his work as dependable yet uninspired,〔Det Danske Filminstitut, (''Lavinen Synopsis'' ), Det Danske Filminstitut, retrieved 2008-08-26〕 however many of his light-hearted comedies achieved great popularity in Denmark. Gregers most notable films were romantic comedies starring his wives Bodil Ipsen and Marguerite Viby. == Career == Emanuel Gregers was born on 28 December 1881 in Horsens, Denmark. At the age of 16 years Gregers debuted at the Horsens summer theater and performed in local theaters for the next 10 years. Around 1909, he moved to Copenhagen and performed in the larger theaters including Norrebros Teater and the Betty Nansen Teatret. Although he quickly shifted to working in film in 1912, Gregers maintained a lifelong attachment to stagework: he owned the Casino theater in Copenhagen and managed it from 1921 to 1931, then continued as a stage director into the 1940s. In 1912, Gregers debuted on screen with Olaf Fønss in the silent film ''Bryggerens datter'' (''The Brewer's Daughter'') written by Carl Th. Dreyer. The following year he began work with the Filmfabriken studio, where he performed in another Dreyer story ''Krigskorrespondenter'' (''The War Correspondent''), and became the studio's upcoming star. But by 1914, Gregers interest had shifted to working behind the camera. He directed himself in a couple of smaller films, then moved to Nordisk Film where he devoted his full attention to writing and directing. In the early 1920s, Gregers directed a series of films with his wife at the time Bodil Ipsen in the role. Most notable was the melodramatic crime story ''Lavinen'', in which Greger's employed an elaborate flash-back structure to relate how the lead character's past leads to a murder. It was also at this time that Gregers was part of Nordisk Film's push for larger films based on literary works. In 1920, Greger's filmed ''Den flyvende Hollænder'' (''The Flying Dutchman'') based on the 1839 novel ''The Phantom Ship'' and, in 1922, he made ''Den sidste af Slægten'' (''The Last of the Family Tree'') based upon a novel by the later Nazi writer Edvard Nielsen-Stevns. For the later film, Gregers ran into trouble with Danish censors. In the climatic ending the villain, a depraved artist, falls to his death from scaffolding inside a church. The censors objected and removed the ending. Gregers eventually directed 36 films. The most notable were his folk comedies:〔Jørholt, Eva, ''100 Års Danks Film'', Rosinante, (2001) 445pp, pg 113〕 the wacky 1937 romantic comedy ''Mille, Marie of mig'' (''Milly, Maria and Me''), in which his then current wife, Marguerite Viby, and the most popular Danish comedienne of the 30's, played three roles ; 1938's ''Bolettes brudeafærd'' (''Bolettes Bridal Party''), which starred his former wife Bodil Ipsen as a sharp-tongued spinster; the witty period comedy ''Sørensen og Rasmussen'' which starred both his former wives, Viby and Ipsen; and the 1941 backstage musical, ''Alle gaar rundt og forelsker sig'' (''Everyone's Falling in Love'') -- in which a small part was played by Greger's next wife, Ruth Saabye. Gregers directed his final film in 1949. He died 22 March 1957 at the age of 75. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Emanuel Gregers」の詳細全文を読む スポンサード リンク
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